![]() In Scotland, Glasgow - and in particular the Saltmarket - was at the heart of the production and distribution of broadsides and other forms of street literature.įor printers such as Robert MacIntosh, James Lindsay and Matthew Leitch, proprietor of the Poet's Box (a name used by publishers of street literature in Glasgow, Dundee and Belfast), this was the mainstay of their business.Ī catalogue of Lindsay's dated 1856 lists no fewer than 200 slips (narrow sheets) each with two songs. However, by the middle of the century, the cheap newspaper and latterly the 'penny dreadful' (sensational novels) were gradually taking over from the earlier forms of street literature.īy the 1850s, the penny used previously to purchase a broadside ballad could now buy a part issue of a novel or a cheap newspaper or a weekly magazine. The mechanisation of the printing industry at the beginning of the 19th century saw a phenomenal increase in the output of all types of street literature, including broadsides. Full Hawkie image Newspapers and the 'penny dreadful' ![]()
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